Warhol Pop
Turn Your Photograph Into Pop Art For The Wall
Warhol Pop Art Canvas Prints
The Warhol style of pop art is used to create a series of four images using the same original photograph. Each image uses unique colours in its creation and the canvas is split into equal quarters in order to give a symmetric and uniform feel. Great looking and incredibly colourful, Warhol pop art works well with individual people and even animals but it can also look highly effective when used on photographs of two or more people as long as they are close together.
Che Pop Art Canvas Prints
Che pop art is highly reminiscent of the endearing image of Che Guevara. Traditionally popular with students and revolutionaries, you can have your own image transformed in the same way with a colour background and a representation of your image that is black and white with all of the colour and much of the shading removed. Because Che pop art is used to print a single image, any photograph that can be used for a Photo Canvas print can be used in this way.
Posterised Canvas Prints
Posterised canvas prints take an image and apply one or more colour tonal screens to that image. The end result is a colourful and unique looking photo Canvas Print. You have the choice of whether to have this procedure applied once or several times in order to create a single image or a panel of images on the same canvas. As with any of the pop art styles, you don't have to have the finished image printed onto a canvas photo print either – you can opt for any of the incredible personalised photo items on the Bags of Love website.
About the Author
Sarah is an expert in professional photography and digital imaging sector. Looking for far more ideas on pop art canvas Visit Bags Of Love
Warhol Pop
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A Brief History of Pop Art in Britain and America
After the Second World War there followed a huge transitional period across Europe and the United States. Major reconstruction was the order of the day across Europe and, slowly, an increasing prosperity and abundance was enjoyed by the populous in these territories. It was the dawn of a new era, but it wasn’t until the 1960s that the emerging “consumer” society gave rise to a demand in goods that were simply unobtainable until then.
British pop art can trace its roots back to the mid 1950s. A small independent group comprising notable artists at that time together with critics in the art world put together an exhibition which was held at the Whitechapel Art Gallery in 1956. This exhibition was a focus on the topic of cheap consumer products and the role that they played in modern life. Although it didn’t seem like it then, the exhibition was a major step forward in the art world and a huge departure from what had gone before it. The erstwhile critic, Lawrence Alloway (1926-1992) hailed it as the birth of something new and in 1958 he christened this distinctive style of art as “Pop Art”.
Key figures in the British pop art scene that followed were Richard Hamilton (b. 1922) whose work depicted cars, pin-up models and electric appliances, amongst others. Peter Blake (b. 1932), on the other hand, concentrated on comic strips and pop singers while the magazine collector Eduardo Paolozzi (b. 1924) produced impressive collage prints by recycling and integrating old advertisement material with comic-strip images.
As for the US, during the 1950s the art world was dominated by “Abstract Expressionism”. It was until the early 1960s when art critics and American artists alike began to embrace Pop Art and give this new style of art their own inimitable American “take”. In 1962, an exhibition entitled “New Realists” was held at the Sidney Janis Gallery in New York. This was ground-breaking in America, not least because the exhibition featured work from artists including Andy Warhol (1928-1987), Roy Lichtenstein (1923-1997), Claes Oldenburg (b. 1929), Jim Dine (b. 1935) and James Rosenquist (b. 1933). Of these, Warhol, Lichtenstein and Oldenburg went on to become key figures on the pop art world. Warhol became a household name.
Indeed, Warhol’s fame elevated in 1962 after his “Campbell’s Soup Cans” work was produced and featured in separate works - firstly as individual “cans” and then the same cans aligned in immaculate rows. Marilyn Monroe and Jackie Kennedy, possibly the biggest 60s female icons at the time, were also given the “Warhol treatment” in which he silk screened their images, altered the colours and reproduced them in repeated patterns.
Roy Lichtenstein was very much a “comic-strip” artist and produced masses of works using imagery from comics. Starting out in 1960, he painted vastly-inflated images of comic-strip frames formed from the dots of colour newsprint. During the same year, Oldenburg set about carving his own niche in the pop art world, creating large, painted plaster sculptures of sandwiches and cakes ! These were soon followed by huge plastic appliances that were softened to allow them to give a distinctive “droop”. All of it was designed explore the nature of “consumer culture” that was sweeping the nations on both sides of the Atlantic.
With mass consumer commercialism on the rise at an alarming pace (and seemingly with no end in sight) “Pop Art” remains very much alive and is perhaps even more poignant and thought-provoking today as it was even in the mid twentieth century.
About the Author
Sam Tennyson runs a successful online pop art business at Modern Canvs Art
Andy Warhol "Pop Polaroids"
