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Art Collecting: Improving Your Art Collecting Skills

Being able to collect good art is one exceptional talent. Although you may think good art collectors are born, this is not the case at all. The truth is, the skill of collecting art can actually be learned! Yes, and that is one good news for you. So, if you want to improve further with your collecting skills, here are some things that you can do to attain such goal.

Get Some Exposure

Getting some exposure on different disciplines of art is one way to enhance your collecting skills. There are a lot of national and international art expos and art fairs that you can attend to. Try attending such kinds of events to broaden your horizon on different kinds of art disciplines and forms.

This is also one way to discover not so well-known aesthetic pieces that have potential on getting a huge value in the future. However, most importantly, it is one way to see artworks that can move you and probably be part of your collection in the near future. Know Your Kind

Although collecting art can be a personal endeavour for you, there is nothing wrong with talking to other art collectors and knowing more about them. In fact, doing this can be beneficial to you, since you can learn more about how other collectors started and what other helpful information they can give you.

They can also give you recommendations like galleries to visit, events to go to, artists to see works of and other art related things. Some art collectors even have clubs or organizations that you can join in.

Read On!

Reading in any aspect can take your knowledge another level. Thus, reading books about art history and art collections would definitely improve your skill. There’s a lot to learn with collecting that you can actually find not only by looking at pictures, but also through reading texts about so.

Reading old published literature on the subject is good, since you can learn the basics of the field and the essentials of collecting. However, it would still be better if you are up-to-date with your reading materials. If you want something fresh and new regularly, then subscribing to some art magazines would do the trick!

Magazines, just like books, are helpful resources where you can learn more about collecting and collections. However, these magazines standout since their content are always up to date and new, unlike with books that may contain faced-out and irrelevant data.

Reviews: Seeing Another’s Perspective

Seeing art in the perspective of another person is bad at all. Remember that art is relative, thus, something may be beautiful in your eyes, yet ugly for another’s and vice versa. That is why you should learn to utilize reviews done by international or local art critics and channel them into something positive. Instead of being too much influenced by what they say, try learning from them and see if what they say about the artwork is true. You should also learn some points on how they critic a piece, since being able to critic is yet an important skill to develop collecting skills. Get Some Help

A little bit of guidance would not hurt if you are really interested on learning how to make a great art collection. You can work with a professional art consultant / art advisor, if you please since for sure they know what they are doing. They can also teach you about collecting and even guide you to the whole process of buying art.

About the Author

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Art Collection

Original Painting Collectible Published MODERN ART Fantasy Figure NY ARTS MAG
Original Painting Collectible Published MODERN ART Fantasy Figure NY ARTS MAG
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SURFBOARD RED GEISHA Collection JAPANESE ART ORIGINAL
SURFBOARD RED GEISHA Collection JAPANESE ART ORIGINAL
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THE DENTIST IS IN ROOT CANAL PAINTING COLLECTIBLE DENTAL ART ANTHONY FALBO
THE DENTIST IS IN ROOT CANAL PAINTING COLLECTIBLE DENTAL ART ANTHONY FALBO
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STRONG TEETH PAINTING DENTAL ART TOOTH COLLECTIBLES ANTHONY FALBO
STRONG TEETH PAINTING DENTAL ART TOOTH COLLECTIBLES ANTHONY FALBO
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SAVED TOOTH PAINTING COLLECTIBLES DENTAL ART ANTHONY FALBO
SAVED TOOTH PAINTING COLLECTIBLES DENTAL ART ANTHONY FALBO
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KNOCKED OUT TOOTH DENTAL ART PAINTING COLLECTABLE TEETH ANTHONY FALBO
KNOCKED OUT TOOTH DENTAL ART PAINTING COLLECTABLE TEETH ANTHONY FALBO
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BROKEN TOOTH DENTAL ART PAINTING COLLECTIBLES TEETH ANTHONY FALBO
BROKEN TOOTH DENTAL ART PAINTING COLLECTIBLES TEETH ANTHONY FALBO
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GRINDING TOOTH ORIGINAL DENTAL ART PAINTING COLLECTABLE DENTIST ANTHONY FALBO
GRINDING TOOTH ORIGINAL DENTAL ART PAINTING COLLECTABLE DENTIST ANTHONY FALBO
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LIPSTICK TOOTH ORIGINAL DENTAL ART PAINTING COLLECTABLE DENTIST ANTHONY FALBO
LIPSTICK TOOTH ORIGINAL DENTAL ART PAINTING COLLECTABLE DENTIST ANTHONY FALBO
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GOLD TOOTH ORIGINAL PAINTING DENTAL ART TEETH COLLECTIBLES ANTHONY FALBO
GOLD TOOTH ORIGINAL PAINTING DENTAL ART TEETH COLLECTIBLES ANTHONY FALBO
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SIR ELTON JOHN TOOTH ORIGINAL DENTAL ART PAINTING COLLECTABLE ANTHONY FALBO
SIR ELTON JOHN TOOTH ORIGINAL DENTAL ART PAINTING COLLECTABLE ANTHONY FALBO
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SWEET TOOTH ORIGINAL PAINTING DENTAL ART COLLECTIBLES ANTHONY FALBO
SWEET TOOTH ORIGINAL PAINTING DENTAL ART COLLECTIBLES ANTHONY FALBO
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SENSITIVE TOOTH ORIGINAL PAINTING DENTAL ART TEETH COLLECTIBLES ANTHONY FALBO
SENSITIVE TOOTH ORIGINAL PAINTING DENTAL ART TEETH COLLECTIBLES ANTHONY FALBO
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BUCK TOOTH ORIGINAL PAINTING DENTAL ART COLLECTIBLES ANTHONY FALBO
BUCK TOOTH ORIGINAL PAINTING DENTAL ART COLLECTIBLES ANTHONY FALBO
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WISDOM TOOTH ORIGINAL PAINTING DENTAL ART COLLECTABLE DENTIST ANTHONY FALBO
WISDOM TOOTH ORIGINAL PAINTING DENTAL ART COLLECTABLE DENTIST ANTHONY FALBO
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CROOKED TOOTH ORIGINAL PAINTING DENTAL ART TEETH COLLECTIBLE ANTHONY FALBO
CROOKED TOOTH ORIGINAL PAINTING DENTAL ART TEETH COLLECTIBLE ANTHONY FALBO
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BAD TOOTH DENTAL ART ORIGINAL PAINTING COLLECTIBLE ANTHONY FALBO
BAD TOOTH DENTAL ART ORIGINAL PAINTING COLLECTIBLE ANTHONY FALBO
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ORIENTAL TOOTH DENTAL ART ORIGINAL PAINTING COLLECTABLE TEETH ANTHONY FALBO
ORIENTAL TOOTH DENTAL ART ORIGINAL PAINTING COLLECTABLE TEETH ANTHONY FALBO
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TOOTH ACHE PAINTING DENTAL ART DENTIST TEETH COLLECTIBLES ANTHONY FALBO
TOOTH ACHE PAINTING DENTAL ART DENTIST TEETH COLLECTIBLES ANTHONY FALBO
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RUSSIAN TOOTH PAINTING DENTAL ART TEETH RUSSIAN COLLECTIBLES ANTHONY FALBO
RUSSIAN TOOTH PAINTING DENTAL ART TEETH RUSSIAN COLLECTIBLES ANTHONY FALBO
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SPANISH TOOTH PAINTING DENTAL ART TEETH COLLECTIBLE ANTHONY FALBO
SPANISH TOOTH PAINTING DENTAL ART TEETH COLLECTIBLE ANTHONY FALBO
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ITAILAN TOOTH DENTAL ART PAINTING COLLECTIBLES FALBO
ITAILAN TOOTH DENTAL ART PAINTING COLLECTIBLES FALBO
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MEXICAN TOOTH SPANISH PAINTING DENTAL ART TEETH COLLECTIBLE ANTHONY FALBO
MEXICAN TOOTH SPANISH PAINTING DENTAL ART TEETH COLLECTIBLE ANTHONY FALBO
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PLAQUE TOOTH ORIGINAL PAINTING DENTAL ART COLLECTABLE TEETH CUBIST ANTHONY FALBO
PLAQUE TOOTH ORIGINAL PAINTING DENTAL ART COLLECTABLE TEETH CUBIST ANTHONY FALBO
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JAMAICAN TOOTH ORIGINAL PAINTING DENTAL ART COLLECTIBLE AMAZING ANTHONY FALBO
JAMAICAN TOOTH ORIGINAL PAINTING DENTAL ART COLLECTIBLE AMAZING ANTHONY FALBO
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HUGE ORIGINAL Abstract Framed Oil painting SHADOWS nr Collectable ART by NAN B
HUGE ORIGINAL Abstract Framed Oil painting SHADOWS nr Collectable ART by NAN B
Paypal   US $3,700.00
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Art Collection

The World of Chaos, Theory, and Art in Michael Dickel's New Poetry and Art Collection

Michael Dickel’s poetry defies easy characterization. The art in his new book, The World behind it, Chaos, including photography and Digital Art, moves like his poetry between the lyric and the surreal. While his poems also have a political bent, the visual art seems less inclined to the worldly. With the sound and imagery of the poems and the colors and textures of the photographs, both his poetry and art converge on the erotic. This book is not an art book, only; and it is not a poetry book, only. It is both art and poetry, exploding off the page into the domain of the reader. No essay or review can fully capture the tensions and complementariness of Dickel’s work, soon to be available from wv? eBook Press.

This book of poetry, photography and digital art has its own world of chaos and order; while no fractals appear as part of the Art Work, there is some sense of Chaos Theory here as much as of the disorder that is often behind the view screen of our lives, or just under the surface of our humanity / civilization. While this eBook makes use of the computer, the words and images do not feel like something from a computer—the layout of the book provides a unique juxtaposition of image and text that feels more like art than technology, despite the online format (I read the book in Adobe Acrobat—pdf—format, but it will be released in Flash and Flash Projector format).

Few books, whether print or e-books, in few book shops, will provide the experience these poems and this art provides. Michael Dickel begins this collection with the sharp intake of breath as inspiration in the form of a deer leaps across his path. He ends, however, with the stormy sea washing away the urban landscape, collapsing history in the forms of skyscrapers turning to sand beneath the force of waves. Yet, somehow, the poetry leaves us with a sense of hope, of love, of human possibility in the spiritual realm. The last poem, in the form of a nightmare, presents more of a warning of what happens if we don’t heed our own better natures.

The release of this book will support the theory that eBook press publication frees publisher, like wv? eBook Press, to make available books that otherwise would be too expensive to release. Color photos, in High Quality, cost a lot to print. This poetry book will be available free of charge—that’s right, it’s a free eBook. While it would be nice, no doubt, for Dickel to receive money for his book, he has chosen to have readers / viewers first.

Some of this art and poetry has a deeply intellectual quality combined with spirituality. A photo may seem a bit mysterious, and, sometimes, transform from photo to something painted (Labyrinth 1-3). A landscape appears mysterious, overlaid with various seasons all at once (Autumnal). This is Not  a Poem, one of Dickel’s poems, tries to reach cubist aesthetics, taking words from one part in different order in the second, and lines from the first part re-arranged in the third part. The first word of each line of the first section, with some modification, is arranged in order (from first line to last) to form the first line of the second section, then the second words form the second line, and so on. The first line of the first stanza of the first section is the first line of the first stanza of the third section, but is then followed by the first line of the next stanza, and so on. Dickel, in this way, conveys the cubist sense of three dimensions in one flat painting. Michael Dickel’s use of form stems from aesthetics of painting and sculpture here as much as from conventional poetics.

Yet, sound, image, rhythm, all play a part in his writing. As does (with variation), at least one traditional form, the sestina. The sestina has six stanzas of six lines. The word at the end of each line is repeated in each stanza, but in a different order. Dickel’s poem, Sestina, responds to Elizabeth Bishop’s poem of the same name. And, in addition to the usual pattern, he places the six words of her Sestina (or close words) into the middle of his lines, rotating them in the same pattern.

This is not done obviously—as with the cubist form of This is Not a Poem, what is happening by way of words moving around in a nearly mathematical (are these the fractals of his chaos theory?) manner requires attention on the part of the reader to be noticed. The poems flow, the words of Sestina making sense and not sounding repetitive as they change meaning in their dance across the page. The same with the cubist form, while each section contains the same words (more or less), like the three dimensions of space, the reading of them does not make this obvious until a reader takes the time to study the craft behind the poem. There is a sense of abstraction, but also of coherence, language, sound, meaning. These poems, like the photographs and digital art accompanying them, do not overtly reveal a craft that is both real and innovative.

The media rituals of reviewing poetry and art, the painting rituals, the writing rituals of poetry all come to this, in my review of The World behind it, Chaos: Michael Dickel is a poet and artist worth paying attention to, worth noticing, worth reading. His innovations challenge a reader who wants to dive in, but his work also serves a reader who wants to understand. And the cost of this book is just right: free.

More of Michael Dickel’s previously published poetry, as well as photos and art, can be found on his web site. While this collection of poetry and art provides a coherent representation of the varied voices and styles of Dickel, his web site provides a nice way to peruse the work of a poet and artist we should all be paying more attention to. The book will be available from the eBook publisher arm of why vandalism? journal of art and poetry, wv? eBook Press.

About the Author

David Brown writes about writing, poetry, and art.

Download a free copy of The World behind it, Chaos (available in March 2009).

More information about Michael Dickel:

Michael Dickel's Home Page.

Michael Dickel's Blog

David Brown recommends this book!

Wormland - Art Collection - ART IN MOTION.flv

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